Hey film fans, imagine this: The creative geniuses behind the mind-bending blockbuster Everything Everywhere All at Once are back in action, and their next epic adventure is finally locked in on Universal Pictures' release schedule for 2027. But wait, this isn't just any sequel—it's a comeback story filled with twists, delays, and big questions about the future of filmmaking that might just leave you divided. Let's dive into the details and unpack what's making waves in Hollywood right now.
The highly anticipated follow-up to Everything Everywhere All at Once, helmed by the visionary duo known as Daniels (that's Daniel Kwan and Daniel Scheinert), is now slated to premiere in theaters on November 19, 2027. If you're not familiar with their Oscar-winning masterpiece, think of it as a wild, multiverse-spanning journey through alternate realities, family drama, and action-packed chaos that redefined what a film could be. It scooped up the Academy Awards for Best Picture, Best Director, and Best Original Screenplay in 2023, all while raking in over $100 million worldwide on a surprisingly modest $15 million budget. Talk about a triumph of creativity over cash!
This upcoming untitled project was originally eyed for a June 12, 2026 release but mysteriously vanished from the calendar back in February. Now, it's resurfacing as the first major Universal release under a lucrative long-term deal Daniels signed with the studio in the summer of 2022. Interestingly, this pact came just before their breakout success with Everything Everywhere, catapulting them from indie darlings to Hollywood's hottest directors overnight.
Since then, Kwan and Scheinert haven't slowed down—they've even lent their unique flair to the Star Wars universe by directing episodes of the TV series The Skeleton Crew. It's a testament to their versatility, blending indie spirit with blockbuster potential.
But here's where it gets controversial: In a revealing chat with The Hollywood Reporter shortly after sealing their Universal deal, the pair opened up about the challenges of transitioning from low-budget indie projects to high-stakes studio productions. Daniel Kwan admitted, 'We love to chase things that could almost be a catastrophe,' hinting at their preference for risky, boundary-pushing ideas. Daniel Scheinert chimed in, saying, 'We thrive on being told no, in moderation,' while expressing nerves about bloated budgets that might stifle the 'tough conversations' that fuel their innovative work. This shift raises eyebrows—does big money mean compromising artistic freedom, or is it the key to reaching even wider audiences? And this is the part most people miss: Could this sequel maintain the raw, unpredictable energy of their Oscar winner, or will studio pressures turn it into something more polished but less revolutionary?
For beginners just getting into Daniels' world, it's worth noting that their style thrives on chaos and creativity, often drawing from Asian American experiences and sci-fi tropes to create films that are as thought-provoking as they are entertaining. Picture Everything Everywhere as a gateway drug to their universe—once you see a laundromat owner fighting interdimensional villains, you're hooked.
As we gear up for 2027, what do you think? Should directors like Daniels stick to indie roots to preserve that edgy vibe, or embrace big budgets for broader impact? Do you believe their new film will live up to the hype, or are you worried about losing the magic? Share your takes in the comments below—let's debate the future of blockbuster filmmaking! And if you're not already subscribed to THR newsletters for daily Hollywood updates, why not sign up? You'll get the inside scoop straight to your inbox every day.
